Tagged: John

Painters Paintings John Atkinson Grimshaw (1836-1893): A Street at Night, c. 1883, oil on panel, 30… 0

Painters Paintings John Atkinson Grimshaw (1836-1893): A Street at Night, c. 1883, oil on panel, 30…

Painters Work John Atkinson Grimshaw (1836-1893): A Avenue at Night time, c. 1883, oil on panel, 30,5 x 45,7 cm, personal assortment . . John Atkinson Grimshaw was a Victorian artist who turned well-known...

Painters Paintings John William Waterhouse (1849 – 1917): The Soul of the Rose, 1908, Oil on Canvas… 0

Painters Paintings John William Waterhouse (1849 – 1917): The Soul of the Rose, 1908, Oil on Canvas…

Painters Work John William Waterhouse (1849 – 1917): The Soul of the Rose, 1908, Oil on Canvas,91x 61 cm, Non-public assortment . . . ‘The Soul of the Rose’ was painted when John William...

Painters Paintings John William Waterhouse (1849 – 1917): Echo and Narcissus, 1903, oil on canvas, … 0

Painters Paintings John William Waterhouse (1849 – 1917): Echo and Narcissus, 1903, oil on canvas, …

Painters Work John William Waterhouse (1849 – 1917): Echo and Narcissus, 1903, oil on canvas, 109,2 x 189,2 cm, Walker Artwork Gallery, Liverpool, England . . Waterhouse’s ‘Echo and Narcissus’ depicts a tragic scene...

Painters Paintings John William Waterhouse (1849 – 1917): The Lady of Shalott, 1888, Oil on canvas,… 0

Painters Paintings John William Waterhouse (1849 – 1917): The Lady of Shalott, 1888, Oil on canvas,…

Painters Work John William Waterhouse (1849 – 1917): The Girl of Shalott, 1888, Oil on canvas, 153 x 200 cm, Tate Gallery, London . . Waterhouse’s ‘The Girl of Shalott’ illustrates a scene from...

Painters Paintings John William Waterhouse (1849 – 1917): The Magic Circle, 1886, oil on canvas, 88… 0

Painters Paintings John William Waterhouse (1849 – 1917): The Magic Circle, 1886, oil on canvas, 88…

Painters Work John William Waterhouse (1849 – 1917): The Magic Circle, 1886, oil on canvas, 88 x 60 cm, Personal assortment . . Miracles, magic and the facility of prophecy are widespread themes in...

Painters Paintings John Constable (1776–1837): Salisbury Cathedral from the Meadows, 1831, Oil on c… 0

Painters Paintings John Constable (1776–1837): Salisbury Cathedral from the Meadows, 1831, Oil on c…

Painters Work John Constable (1776–1837): Salisbury Cathedral from the Meadows, 1831, Oil on canvas, 153,7 × 192 cm, Tate Britain, London . . John Constabl was a serious determine in English panorama portray within...

Painters Paintings John Constable (1776–1837): The Cornfield, 1826, Oil on canvas, 143 x 122 cm, Na… 0

Painters Paintings John Constable (1776–1837): The Cornfield, 1826, Oil on canvas, 143 x 122 cm, Na…

Painters Work John Constable (1776–1837): The Cornfield, 1826, Oil on canvas, 143 x 122 cm, Nationwide Gallery, London . . This picture of a Suffolk (England) lane in excessive summer season was painted in...

Painters Paintings John Constable ( 1776 – 1837): Wivenhoe Park, Essex, 1816, Oil on canvas, 56.1 ×… 0

Painters Paintings John Constable ( 1776 – 1837): Wivenhoe Park, Essex, 1816, Oil on canvas, 56.1 ×…

Painters Work John Constable ( 1776 – 1837): Wivenhoe Park, Essex, 1816, Oil on canvas, 56.1 × 101.2 cm, Nationwide Gallery of Artwork, Washington, D.C. . . Wivenhoe Park, situated about 55 miles northeast...

Painters Paintings John Constable (1776–1837): Scene on a Navigable River (Flatford Mill), 1816–17,… 0

Painters Paintings John Constable (1776–1837): Scene on a Navigable River (Flatford Mill), 1816–17,…

Painters Work John Constable (1776–1837): Scene on a Navigable River (Flatford Mill), 1816–17, Oil on canvas, 101,6 × 127 cm, Tate Britain, London . . Constable often depicted the scenes of his ‘careless boyhood’...

Painters Paintings John Brett (1831–1902): The Parting Hour, 1893, oil on canvas, 106 x 213 cm., Pr… 0

Painters Paintings John Brett (1831–1902): The Parting Hour, 1893, oil on canvas, 106 x 213 cm., Pr…

Painters Work John Brett (1831–1902): The Parting Hour, 1893, oil on canvas, 106 x 213 cm., Non-public assortment . . ‘The Parting Hour’, painted within the latter years of Brett’s creative profession, shows a...